Monday, 11 May 2020

Now, you only get to see the ceiling

This diary entry is for those people who stared inside our office 2010 to 2019.

Recall a dishevelled-looking bloke? He was maybe wearing his pants like men do in their sheds, with a barely buttoned shirt, pre-dribbled, topped by an old cardigan. The glass doors behind him? Faked on a green screen. In reality, one was smashed.

I loved my husband dearly, despite what you might have suspected (or been told), and certainly if you saw inside our office and came to a very definite conclusion - here was a sad man abandoned!

Nope. He was loved! Utterly. The landfill he made of the office was not loved.

Think yourself fortunate. You saw this chaos from your safe side of a plastic screen. There you could sigh and tut and do whatever before slipping back to your normality. I bet you felt sorry for him. Hmm. Misplaced sympathies. I lived with this state, powerless to do anything about it, too respectful of, 'don't touch my stuff'.

'It's my stuff!' covered the hole in the ceiling, piles of ancient papers, collections of magazines and manuscripts from 1974, a cellar full of computer equipment from the 1980s, peeling paint, 100kg of cabling, cassettes, floppy disks, piles of gadgets and a variety of indescribable items whose only redeeming feature was that they didn't have real hair.

And the smell. Let's call a spade a bloody shovel. If you have lived with a teenager who locks their bedroom door, closes the windows and draws the curtains, then you can imagine the smell coming from the office. It was very similar.

Did I mention that time my office colleague absent-mindedly threw a dead bird in the bin? That is not endearing. That is a health hazard.

Anyway, those days are gone! I no longer feel the need to put a bag over my head when I realise someone saw the office.

These days, my office / flat / rooms of elegance / hand-made kitchen is now transformed. And it is fecking amazing.

I threw open the doors and windows, scrubbed the carpet, hired the roofers, painted surfaces, dumped furniture, offered a ton of stuff to happy hands on freecycle, sent 50 metres of books to the charity shop, dismantled shelves, installed a Victorian overmantle above the fireplace previously blocked by a bookcase and seven blankets, enjoyed my repaired glass door and sold anything of value on ebay.

I'm happy to say - if you are one of many previous guests invited via video link to this office - you'll never see this wonderful space. Maybe you can look at the ceiling - the old office is transformed to my new rooms.




Enjoy your happy memories.

Thursday, 7 May 2020

Think of the good things...


There are some positives about lockdown, huh?

Not the awful consequences of this horrendous virus; I can't go there without fear of being quickly overwhelmed into numbed silence.

Nor the daily challenge of frugal living thanks to a diminishing income. Not that either. Anyway, frugality is normal.

Nor the way I get to experiment with the limits of my personal hygiene! Although it has advantages. Three weeks and no shower! (And no running water in my little bolt-hole flat because I can't afford it).

And not being able to go out to find human company of my own interests and dispositions. That is Not Good. That is The Worst Thing Ever about lockdown.

But here is to count the good things!

Clear, clean air. Air that does not get in the way. Precisions of colours and shapes I can observe from my laying down flat-out position by the hedge where no-one can see me.

The garden robin, who is running a mealy worm protection racket. (I have seen The Birds.)


Time, that I cannot avoid, to do things I have long put off. Clean the hob, paint the ceiling, clear out the garage, scour the fridge, put up shelves, hoist out the overmantle etc etc.

Zoom, which I have used, once in terror and with the growing, horrible realisation that people can actually see me in my private space, so next time better tidy up a bit and put on a bra. But I am counting it as good (and not bad) because it is engaging me with the 21st century!

Reading, more consistently, for longer, and not just to page 11.

Making things, and not just a mess, but things with wire and glass and ribbons and hooks and bits you find at the backs of drawers to hold up and wonder, 'Can I use this instead?'

Taking longer to do anything and everything.

If I am going to hold onto one positive outcome from lockdown, it is this. To consciously think and interact and shape my environment in more deliberate ways; slower, with greater thought for ahead, than behind.

Wednesday, 6 May 2020

Let the Burning Begin!

In the national spirit of flagellation I'd like to confess my crimes regarding flaunting the lock down rules!

This is entirely in consideration of the fact that soon we open our doors, windows, garden gates to let all the grudges go free.

Then we can stare at the neighbours properly for the first time in weeks. No longer will we be forced to peer at each other from behind net curtains, clutching a pen and logging down their crimes in a Lockdown Grudge Book.*

Huh, I am Grit. I want to get in first before the neighbours grass me up.

Read my charge sheet and gasp.

1. Visiting another household with a birthday card.
Prepare the bundles of wood for the fire. I am guilty. In mitigation, the birthday card was to celebrate an 18th, after the father of the tribe left the family for another woman in the same fortnight his wife faced a diagnosis of breast cancer while her mother was diagnosed with dementia. (I couldn't make this up.) On balance, propping up a home-made birthday card on the drive while dancing and blowing kisses seemed like the smallest thing I could do. I accept, in the eyes of any particularly scrutinising neighbour, it remains possibly the biggest crime of all.

2. Furtively sloping off to Lidl, late at night, to stock up on Vermouth, crisps and chocolate biscuits. (I wish I could say this was only once.) Definitely guilty. No mitigating circumstances. Set light to the wood torches.

3. Driving to another household to drop a black bin liner at the front door. But this is not the actual crime! The other household got out garden chairs so we could sit 6 foot apart in the drive in full view of the neighbours! PS. The black bin liner contained stuff from an office clear out. Non-essential. (Unless you value the turn-out from an office.)

4. Returning to the scene of the crime to pick up CAKE. The Nation Your Honour, this was more than my anticipated reward for a load of old paper from an office clear-out. But what could I do? I was offered CAKE for feck's sake. Let the processional train of witch-burners begin the sorry journey to the pyre.

5. Accepting a visit from Mr M. (who is a proper artist), who had cleared out his workshop and wanted to shove a load of glass our way. I have nothing to offer in mitigation but weakness motivated by my own greed and the overwhelming desire to see if I can melt glass in a barbecue. We talked about, among other things, my home-made bike shed which was an unavoidable participant in the conversation since we had to sit on either side of it.


 My bike shed what I built at the bottom of the garden. 
(Lock down Project Number 8.)
 Mr M was kind enough to say that my bike shed resembles Caribbean architecture circa 1980. 
He also suggested that with a few pots and pans I could try living in it.

The Nation Your Honour, here are my ugly truths laid bare. I accept my fate. As the Chief Burners pop to Lidl to buy a box of matches, I would like to add, if we are to be released to judge each other remorselessly without let or hindrance, then, in my opinion, as a motivating factor to flaunt lockdown, adultery is morally worse than effecting an 18th birthday surprise.


*Of course I can sell you a book for your Lock down Grudges!




Tuesday, 5 May 2020

Anything is possible



Here's an illustration of a chicken. Just as a memo to myself that there is no subject out of bounds, especially in a note book, and I will rise to any challenge.

Monday, 4 May 2020

Kitchen Journal

Sometimes I make a note book and I just want to keep on going, playing with it, dressing it up, shoving things between the pages, seeing how much it can hold and building it up to see when it bursts.


Then I remember. It's not my book.

What I really hope I've stitched into that book is the spirit of play.

I want you all to have that spirit with your notebooks. Just throw your cautions to the winds and enjoy yourself with crayons. It will do you good, believe me.

Drink a cup of tea and splatter your pages with the tea bag. Crush your pages together while they hold sprays of fresh flowers or leaves you collected from the walk. Add post-it notes and scribble and doodle and torn bits of magazines - see how the colours and shapes change your book.

Don't come to me and say, 'Wah! It's too nice to write in.' PAH. You can make it a lot nicer. You can make it Yours. Go on, claim it for your own.



Consider the notebooks a piece of collaborative art. I make the frame and you do the pictures. I offer you the format for your poem and you find the words. I give up the baking tray and you pour in the cake mix. You get the idea. Just give it a go. You can only make your note book more beautiful, because you're making it expressive of You and what could be more beautiful than that?
 



Sunday, 3 May 2020

Night walk


Walking at night has become a pleasure. I enjoy the exaggeration of shapes and colours; the views stretching out along points of light, brought to sudden halts by impenetrable dark layers. The night walk is affirming of the stronger in me: I am self-reliant, curious of what lies over there; a person of privacies and transparencies.






I'll stitch a book for that.


Saturday, 2 May 2020

Garden change


I'm one of the lucky ones. I have access to a green place filled with fluff and stuff and blue and green and things unrolling and blowing about the sky.


Change is everywhere. I can see how the world moves within hours, day to night and sun to rain.


The garden is a companion of sorts, where I see change as a source of endless inspiration.


I love the colours that play in any garden within the layers of light and shade.


I try and fix those shifting moments in a book I stitch. I want your hand to move across brights to darks and through the shifting colour tones and tints between.


In the garden, there are so many tints and tones and hues and shades, and then the sun comes out, or the cloud passes. My inability to capture all those shifting shades must become a sort of celebration for me. Not so much managing my content with failure, as a reminder that change is all around us, it is us, and it necessarily is in the things we make.


I want the books in many ways to be transitory, ephemeral, and to be constantly changing in your hand.


One day it looked like this, and another day, after you added stuff, pressed flowers, slipped between the pages the handwriting of someone you loved, well it all became something else.


Change.

Friday, 1 May 2020

Stitching together my Grit and my Knickers

Here I am, posting photographs on my Knicker Drawer Note Books site, with increasing irritation!

The problem is: under the Covid cosh, I cannot witter endlessly on about my outsider art.

Before the lock down, I could happily meet anyone and everyone in the street and anywhere to talk about my lovely stitched note books with amusing objects! and curious papers! Every day! Until the hapless listener tuned out, glazed over, got up and left (while striving to look polite) or just fought back (the best).

Truly, any of the above was good by me. But now, only my own head answers me back. I have three ladies in my life (living next door in a complicated arrangement) and they have limited interest in my affairs (quite right) except to tut-tut at me because I slope off to Lidl to buy crisps (probably illegal but essential)*.

I miss the ordinary to-and-fro of every ordinary conversation. Those everyday moments are the breathings of my stitches; my books are work books, fun books, day-to-day books, pointless books, essential books, books of history and today. Somewhere - like the chat in a post office queue - to express a favourite grudge, bear witness to the passing time, have a moan about the weather, be sentimental, celebrate a moment and voice a sorrowful regret.

Well, I'm merging my worlds. I kept them separate and now, damn the consequences!

Knicker Drawer Note Books, meet Grit's Day. Take a handshake.

Phew. At last I can tell at length, daily if necessary. Here are the backgrounds, the wherefores, whos, what-made-me-do-it, what it is and why the hell does that book have a poison warning?

The Plague Experience is fundamentally a dispiriting experience. Who would actively seek to have their freedoms curtailed, huh? Yet. like everyone else, I'm finding bright sides, silver linings, happy  spots. Even if those moments come in the form of cleaning up and washing down.

Well, here was my first truly bright, bright spot. Plague Journals. Before the Plague, I was given, by a well-wisher, a big bag of leather, all beautifully tattered and worn.

I have a tender place in my soul grown to respond with love for scars, wrinkles, tearings, breakages, fragmented parts. To me, these are not fearful symbols of grotesques, they are the tender marks of life, experience and humanity. Age does not wither. It makes a beautiful weave of a life to hold, touch and feel.

A material that has already passed through experience, been torn, cut, lifted by hand, rolled up, discarded and shoved in a Lidl bag. What could be more poetic? The best and the worst. Perfect for the wrappings of a seventeeth century Plague Journal.

But I didn't have any handmade paper or pressed paper made from rags; the sort that shows flaws, scatterings of colours, strange blends and irregularities to the touch. So I set about a stack of paper from a copier machine with a teabag. I added a pack of typewriter paper (scavenged) and odd bits of torn paper from my torn-paper-piles. (Thank goodness I'm too much of a paper hoarder to throw any away.)

Finally, a thorough rummage in a set of drawers yielded key rings, keys, clock hands, bottles, bits, pieces, this and that.

Oh happy hours with the Plague!











All note books sold thanks to the hard labours of Vintage Emporium Number 38. And Daniel Defoe.

Really, the only way for my head to surf the Covid Lock Down is to lift my gaze and make my respectful nod to what went before. As I overheard in the post office queue: 'I'm fed up hearing people complain about the lock down. Our parents were asked to go out and fight. All we're being asked to do is sit on the sofa and watch TV.'


*I note the three ladies eat my crisps, however.

Sunday, 1 March 2020

March to March in a single year

March 2019

I begin by beginning the paperwork of death.

Registration is the easiest. Next, the funereal and financial. I meet state and private administration requirements as I can. I make telephone calls and follow up with letters, answering requests for this piece of paper or that document of proof.

I contact banks, cut cards into tiny shards of fingernail plastic and I organise piles of papers stretching back 30 years into mountains and mountains: save, shred, unsure.

Daily, I meet my duties with a dogged determination. Once, in indifference, that fixed and blinkered determination casually earned me the nickname Boxer, the loyal and stupid carthorse from Animal Farm. Boxer knows nothing but blind devotion, but it is to an unworthy cause: a cause that did not merit nor deserve his enduring dedication.

If you think I am fishing for sympathy after the death of a husband, father and man whose time I shared for thirty years, then spare it.

There is no nice sentiment for Boxer, and I want none for me.

What do we do with Boxer? We're simply invited to laugh at the old horse's death with grim recognition. Sent off to the glue factory, Boxer, when all is said and done, is just a horse doing what a horse is trained to do. Spare the emotion.

Use laughter instead. It suits me better.

If, at this time, you want to laugh, make it hollow. But now, in death, I am Boxer. The requirements of stupid steadfastness are needed now, more than ever, as I face the long days of work ahead.

Yet I would argue there is one important difference between Boxer and me. Call it what you will - reflection, speculation, self-knowledge, perhaps a gut instinct for self-preservation - I know there is one burden I cannot shoulder. The responsibility of talking; of telling others about the death; the mutuality that would be expected of me in the taking and giving of sympathies. It seems so polite, so organised and so formal, and all so pointless.

I know my first step forward then is to receive no kind emotion. If I am given kindness, it will blunt my purpose, make me drop the things I have to do, give me weaknesses and not strengths.

Then these duties I offload. I have no space in me for sympathising to the emotions of others. I have no emotions to offer in return. I cannot make anyone feel good about this moment in their lives when I am emptied in my own.

Emotions? I will save the variations of that force for later. Then, I will have the space and time to allow myself to enter its territory. I will feel what it is; I will walk its boundaries, tread the paths, cross into its lands. Then I will feel all the unevenness of that landscape to move through its places where I must diminish and grow and feel for those for whom I must pause and howl.

Close friends and family, they are the best. They ask me no questions and, for now, in this immediate vacuum of death, we can simply look at each other. We need not ask.

But some people, I cannot avoid. This person who has died took a part in many lives across this planet. A trawl of shocked commentary, remembrances, thoughts and responses are passed along chains of hands. A loving and capable collator gently passes me a bundle of papers.

I know the best to the worst. I could run my fingers along the edges of all the feelings I am handed; the soft and gentle slopes and thoughtful smoothings; the dips and graceful bends; the tiny slices of razor edges hidden under water mixed with honey; the sharp abutting inclines of brief words and the cold, hard surfaces thrown into shadow by empty silence.

I receive genuine, heart-touching sorrow from India. From Brazil, warmth and lively remembrance. From China, careful expressions of sorrows, laid to rest with the final words on an ancient wound. I am force-fed a letter from France - the writer filled with earnest regret, now makes the best of things  and hopes my response will bring about their better state. I resolve never to answer. I bat away the online outpourings of wails and weepings from Takako, she who will never be consoled at the absence of her best friend and the loss of the person who was the most important person in all her life. And the message from Wai Ying I return, equal in cold cruelty as the perfunctory message I receive.

But at this point, we are both motivated by anger. It is an ill-matched battle. This is the one emotion I feel. It permits nothing else. Anger is mine; it is my territory. Here I command the greater powers. Anger is what I know first and best. When death opened a new door into life, my anger became so intense, I could have destroyed everything; I could have torn down your buildings, smashed cities, watched the earth, burn. Facing what I faced, at this point, to my mind, your suffering was as nothing; it was justice.

There is a single impediment to the purity of anger, and it is knowledge of consequence. I know now I stood in a dangerous place. While I felt my anger had a right that I had never felt before, that same sense of justice in my own anger caused part of me to pause. There would be that point, when I had done all, destroyed, ripped apart, smashed you into atoms, I would need to stand and say, fully and completely, hand on my heart, why I acted as I did.

Fortunately, in the midst of it all, I am tested. My daughter, who shares now the same sense of injustice brought about by the visceral carvings of death, simply returns to school.

She is newly aged 18, but her ten hours make her an older, wiser woman. She has seen death work; watching how it lingers and toys and plays and sucks away the last rattle of breath. Then, in a second, it's gone, simply upped and gone, indifferent to those who remain behind, exhausted and betrayed.

But the school, three days on from her grieving time, finds a fight, and excludes her.

Their reasoning is risible, and I laugh. I clap into the air and hoot my delight. I am proud of her. I am a proud, proud mother, made as whole as if she had run the race, received the medal and earned the certificate to stand as a testimony to the end of our times, marking her brilliance and shining example.

The school has excluded her on vague grounds that her behaviour is unreasonable. Despite my warning to them, I discover they have no practical bereavement policy. The staff do not seem to know that they have here a young woman who, ten days earlier, watched her father die.

She refused to talk with people who were unreasonable; she declined to engage with a man commanding her with military numbers to stand and move; she ignored authority when authority began to shout. The best of the letter - it will forever make me smile - is when the school acknowledges their loss of ability to cope with a silent 18-year old by telling me they engaged the services of the police and an ambulance.

My brave, defiant, wilful daughter, my warrior woman, my dragon daughter, she sat defiantly and ate her lunch in the reception area.

This day, best of all days in the wretched days, softens my anger and brings me laughter.

But two days follow. Two days I set aside to skim educational law on exclusion criteria, write letters to governors, arrange meetings, compose suggestions on staff training in conflict resolution, and prioritise our local school inadequacy above all my other duties to our family, to my reorganisation of our living, our company business, to HMRC, our accountants, requirements to the VAT office, Companies House - and all the multilayered strata that are obligations to three companies across two continents in the wake of a single director's death.

Yes, I have momentary relief, but too soon I am set to work, like Boxer, once again. 

Throughout this long summer, there is the horrible duty of tracking this person who was, their place in the online world.

I discover, too much, a digital person I did not fully know. A business person and a personal touring of sites and places, of people and events.

And I learn again what I already know: be cautious in the online world. The veils around a life are quickly lifted and the ordinary stuff of pedestrian everydays - purchases, inquiries, translations, the things which peak us and bring us low - these things are exposed on death, but you are not there to talk your way around.

My jobs from then, like a detective, are onerous but necessary. Picking my way through the online world, I doggedly must find all contracts taken by our business, so that I can inform providers, settle and close accounts and follow all procedures to complete all company administration.

Put simply, I am trying to avoid being charged just another £1500 for a service I didn't know we had.

And that is the least worst. From here, I am trying to avoid being fined, prosecuted, or imprisoned. Running a company - even one with no employees and only two brains for its assets - is a serious business and, I have learned, you don't try and cut a deal with Companies House.

But the man at the VAT office is so kind, and his gentle Yorkshire voice voice so lovely and reminding me of my mum that, when I put the phone down, I blub like a baby. The woman at HMRC is the same: helpful and patient while I press letters on a keyboard then mumble things like, 'I've seen that in a file somewhere. Can I go and look for it now?'

What of the unadulterated horror I have here; the history in Hong Kong. A simple banking procedure that takes five months to run, requires my signature to be affirmed as witnessed in front of HSBC employees, needs two DHL courier bookings, and scatters across the globe a trail of formal letters in indecipherable banking Chinglish. I know they have less than ten thousand pounds, but it belongs to me, and my name is Boxer.

Then there is all the other stuff.

A car, abandoned at the bottom of the garden. Not quite a classic, but rare enough to have an enthusiasts club and a price on its head. The project, like all projects, that one might save for a future day. I sell it to an enthusiast from Aylesbury.

The kitchen roof, leaking, unable to be repaired during the years of illness, and now in urgent need with rotten joists and crumbling slate. Two men and a scaffolding later, I have a kitchen roof.

The upstairs window where, if you bend your head to the left as you descend the stairs, you can see directly into the outside world, unimpeded by wood or glazing. The only problem is, I won't replace aged Victorian timber on three sides. Instead I spend my time chasing a specialist carpenter who can splice and resin a way back to the windowful glory on which I have set my vision. I now have a window from which I observe the outside world in the proper way.

And I spend the year doing all the ordinary on bereavement. The house clearing. The sweeping up of years of boxes, of things stored in cupboards, of stuff. It is all the detritus of life that we never throw away. The stuff that was valuable and, over time, forms of sort of sedimentary memory of our lives and interests. No longer worth more than the proceeds of a car boot sale, we cling onto it, in the hope it grows in value for our sentiments and expressions.

Only what if it doesn't? What if you have stored old computer cables, old tools which have rusted up, bits of paper marking the same notes in different pens throughout the years, old Acorn User magazines and receipts for a carpet bought in 1986?

For that stuff, we need to move house, or have the house solve the problem for us - perhaps being burgled by a social scientist interested in ephemera, or simply burning down.

But there are more important things to be done than spending months sorting boxes, running to the tip, giving things away on freecycle or selling the odd gem on ebay.

Heading to autumn there are the A-level exams, followed by preparations for university with interviews and visits. Then thoughts to Scotland, to Exeter, and one held in the conundrum of choice betwixt Wales and East Anglia.

Then the seriously citizen-pedestrian we all must do. The MOT, tax and insurance - I flirt with the idea of chucking my old van away like the carpet receipt and the stash of Acorn User magazines - but it is the vehicle I need to do the work I do.

But I didn't say. Throughout it all I carried on book-stitching, supplying shops, planning and stretching the income and setting up a horizon for my future employment - which I know will only be as good as my fingers can sew and my eyes can see. Christmas, sales were good. The spring show I scraped just in time after months of work, each night stitching late into the night under daylight bulbs.

March 2020

A friend who never knew me before visited my house. I gave them a tour of the garden - or the wilderness that passes for the garden - overgrown as it is with brambles and hedge and grass and plants that last saw shears in 2016 when all the madness began on our steady march towards that final point of March 2019 - and they asked with all the chiding tone your grandmother might use as if talking to the neglectful, the downright idle or the wilfully blind, 'Do you ever do any gardening?'

Maybe a different sort of future can start in March 2020.

Sunday, 10 November 2019

When the nightmares were the best bits

Someone was kind enough to ask, How are you doing?

Now? I'm laughing. Sometimes in anger and contempt, but it is laughter, and that is good. Once, at a message sent by a person masquerading as a colleague (but who is basically an arsehole). Another time, at the client we worked for, sending condolences which read like corporate blurb. Then, at the emergence of one more 'colleague', surfacing on Facebook. She tells the world how she'll meet my husband in Heaven. Two dozen messages follow - emoji weepings, dripping tears, sympathy for her loss. I think, Ha! When you're in Heaven, no elbowing each other in the queue, please!

But, when the laughter subsides, these are the things I recommend as a practical remedy for when life, er, gets difficult:

1. Strip down the stars, locate the pair covered in shit and spit and throw them where they belong, in the dustbin.

Yes, murder all darlings. Throw away illusions of good things, fair dealings, fancy ideas of loveliness. No illusory gazing at the rabbit in the moon or the phoenix in the stars.

In death, there are ugly dragons and demons abounding. I can face them out. The way I think: I am here now and I control my story. I can make a Hell out of Heaven and a Heaven out of Hell. And I'm damned if I'm living with this lot of shite in Hell. So I consciously shape what I do. I plan futures. I make a positive lesson from memories or thoughts that rear up, all fangs and teeth, growling and snarling. I plan, roll up my sleeves, and get started.

2. Control my environment. 

At a practical level, this means I create a new future for an object everyday. I send a book to the charity shop. I place an item on my ebay pile. I offer something on freecycle.

I scour a drawer. I divide the contents into save/landfill/recycling. Every day, my fingers handle an object whose future will be different from its past. This re-organisation of things is a reallocation of life. It is a dismantling and a rebuilding. I do not need to reclaim beard trimmers and toothbrushes left around the world. I do not need several editions of the same book. I will never listen to tapes left for 30 years in a drawer. I am organising, clearing, rebuilding, restoring. I am a road mender. I mend my way as I go.

3. Cycle.

I have always held hope in high contempt. Hope is when you don't have a plan. There must always be a plan. Put one foot in front in the other. See? That is a good plan. Even better, even faster, even quicker to get to that plan? Get on a bike.

Cycling is wonderful. I am free-spirited, self-powered. I talk to myself as I cycle, surrounding problems with solutions and Who Cares? Not I. I am smiling, laughing at trees and dappled light. I choose routes and bylanes that promise all shades green, alive with blackbirds, berries and hedgerow honeysuckle. The stretch on my leg muscle pleases me as I travel with greater speed than before.

4. Swim.

Thank goodness we have a lovely pool in walking distance. How many times do I read that exercise is the best cure for your dumps and downs? Absolutely. Swimming for me has become the ultimate restful therapy. The only drawback is I like to swim with my eyes shut, and this upsets everyone. (Memo to self: get a new swimming costume, because the elastic's gone funny in the old one.)

5. Feel my surroundings. 

Summer was lovely. In the quiet of a walk, I slipped off my shoes. I walked barefoot to feel the temperature change of earth; the shift in tonal range from soil to sand to concrete to stone.

In autumn, I walk through rain to feel pin prickles on my face and feel how my shirt eases itself to my skin with wet and cold. I lift my head into the rushing wind on a dry evening to feel how the air moves across and around me, travelling on its eternal journeying where I am no impediment at all.

6. Enjoy revenge fantasies.

Oh yes. I can shoot down dragons with my sure shot. For extra enjoyment, their skin peels off, then their eyeballs explode. I am in the land where hit men come cheap and poison is real.

Forgivenesses? Forget it. Where there are injustices in the world, I'm not about to say 'Hey! It was okay!' That seems like a licence for shit to happen all over again. People, you need warning against injustice! Making the injustices of death and skeletons and crawling corpses through which I've waded knee deep - making these matter less to me - is my goal. And if I have to stab someone to get there? All's fair in love and war.

7. Dream.

Sometimes, less so now - now, when I prefer to dream of books and chocolate - I woke in the middle of a conversation. I'm asking Dig, Why? Why did you say that? Why did you choose that disastrous course of action? Why did you do that? Why did you die? It wasn't because of what you said.

I used to get a nightmare at first, but it became the best of my dreams.

It started with me fooling about at the edge of an ocean, splashing around and enjoying the view. But I fell in, falling deep and deep, so far down, I cannot breathe and I know I have no breath left in me. I know I must drown. In panic I struggle to turn my body back to the surface, to stop my perilous descent. Dig's hands reach up: to grab me by the ankles and pull me down. I think, here I will die. But I cannot agree to that. I kick with all my strength to propel myself up to the surface. I can barely make it, but I do: I break the surface and I gasp the air, gulping water and air and I wake, breathing deeply. I am going to survive. I am going to live. I am going to find this new world around me and I'm going to make it, mine.

Tuesday, 5 November 2019

Designed to disturb















Never a quiet day.

Wednesday, 9 October 2019

Poison



 


 

 
One of the most enjoyable months in the Knicker Drawer Creativity Centre when books of this season without light start to take shape ... books formed around poisoners, vengeful angels, persecutors, bone hunters, tormentors, magical creators, destroyers, darknesses and wish makers.